Bruce Laurie, Artisans Into Workers: Labor in
Nineteenth-Century America. Chicago: University of Illinois Press, 1989.
pp. 257. Includes Bibliographic Essay and Index.
*Note: Page numbers refer to Illini
Books Edition, 1997.
In 1989, when writing Artisans Into Workers, Bruce Laurie had
established himself as a historian interested in labor issues. Laurie graduated
from the University of Pittsburgh in 1971, having written his dissertation,
“The Working People of Philadelphia, 1827-1853” which studied modernist
laborers in America. By 1989, when Artisans
Into Workers came out, Laurie had edited one major work on the subject and
had successfully expanded his dissertation into a full-length monograph. Though
Laurie’s research interests later on in his career would grow into studying conservativism’s
development as well as abolitionism, at the time, he was primarily interested
in the connections between labor and society in nineteenth-century America.
These connections placed Laurie in the unique roll of being able to synthesize
earlier institutionally focused labor history and the “new social history” of
labor that was becoming popular at the time (indeed many of his reviewers noted
this attempt as novel) as well as the intellectual roots of American radicalism.
It is important to note that Laurie
was not the only scholar doing this work at the time, as many of Laurie’s
reviewers drew comparisons between his work and David Montgomery's Fall of the House of Labor: The Workplace,
the State, and American Labor Activism, 1865-1925 which came out two years
earlier. Interestingly, while Laurie does discuss some of Montgomery’s other
works, Fall of the House of Labor is
not mentioned (Though this may be more due to the reality of how long a book is
in the publication process rather than academic concern, Laurie does include
several references to materials published in 1987).
Laurie’s work reads more like a
synthesis of popular history (in its diminutive citation and narrative form)
and academic history (in its application of jargon and inclusion of substantial
historiographical content) than deep analysis of schools of historical thought.
If this was an attempt to explain historical scholarship to a wider audience,
its publication from a university press and reviews in major scholarly
publications are odd. In the beginning, Artisans
Into Workers reads like an insider’s guide to labor history (see pages
9-11), but at other moments there are glints of cultural history (Chapter 3),
institutional history (Chapter 5), and biography (on Gompers in Chapters 5-6).
The early chapters of the book follow an easily discernable chronological
pattern, supplemented at times by digressions into more specific emphasis on
minorities and characters. The discussion of those minorities is at times
clunky and awkward, especially in Chapter 2 when the discussion of black
workers abruptly ends and a discussion of craftsmanship begins. (Laurie, 1989:
63) The biographical digressions are useful though and particularly fascinating
persons included are Thomas Skidmore (pages 66 and 67), Samuel Slater (page
29), and the Molly Maguires (pages 141 and 142). These small asides are useful
to the curious reader, providing enough information to begin research on topics
that strike ones fancy. Additionally, Laurie’s incorporation of religious
organizations into discussions of nativism in the third chapter are often
underplayed in contemporary historiography. The later chapters introduce Gompers and
through him, the struggles of the Knights of Labor and the American Federation
of Labor. In this way, they seem to step away from his interest in social
history, and move back into earlier institutionalism of previous generations of
historians.
While reviews were generally
positive, a few, including Danny Samson of Queen University in Labor, do suggest that Laurie’s
narrative structure, more than his insistence on ideological radicalism, hold
the study together. (Danny Samson, “Review of Artisans Into Workers,” Le
Trevail/Labor 29, 272) This reviewer must agree, to a certain extent, with
that assessment. Though Laurie attempts to attribute many of the challenges and
gains of the labor movement to “radicalism,” he never provides a complete definition
of the term. Instead, Laurie alludes to differences between European and
American radicals without denoting what made them radical. This is highly
problematic to a researcher who wants to employ Laurie’s theoretical, rather than
simply factual, arguments.
What perhaps makes the task of
employing Artisans Into Workers even
harder though is the fact that there are no footnotes or parenthetical
citations. While Laurie does reference fellow historians for quotes and
theories, none of the statistical information he uses to undergird the
arguments is easily verified (excepting a table on page 156). Even the choice
of a bibliographic essay over a traditional bibliography in some ways obscures
the utility of the materials it discusses. Sadly, this reduces Laurie’s book to
the realm of being a tertiary historiographic primer on the subject when it
offered the possibility of being much more.
Laurie does show himself to be
knowledgeable on the topic of nineteenth century labor, but historians who were
already familiar with his work would not be surprised by this knowledge. Laurie
sees himself as an heir to previous generations of scholars, including both the
Common School and “new social history,” obligated to synthesize the
advancements of those two generations, but his synthesis loses the evidence
used to create that scholarship. Instead of successfully incorporating the
previous schools of thought, Laurie falls into what historian Fred Morrow Fling
called in 1903 simply “erudition,” or regurgitating historical factoids in
narrative form without developing a cogent model of analysis. (F.M. Fling,
“Historical Synthesis,” The American
Historical Review 9, no. 1 (1903), 1-22)
Perhaps
then, the best use for Laurie’s work is as a textbook, providing introduction
and contextualization of a wide variety of secondary literature. There is
substantial enough historiographical content to push the work beyond the
interests of most casual historical readers, but not enough evidentiary
analysis to be of more than introductory utility to professional historians. In
this sense, Artisans Into Workers
matches a very old form of historical scholarship, the narrative history
reliant upon the reputation of its author. This is not meant to demean Laurie’s
work at all though with regard to its status as an important read. Indeed,
Laurie is a fantastic conversational writer in that his prose is approachable,
digresses as intuitively as is possible, and attempts to incorporate the
plainspoken nature of his subject when possible.
Artisans Into Workers could have been
dramatically improved by incorporating the referencing necessary for
contemporary historical scholarship.
I’m surprised as well that the book
was simply reprinted, rather than being revised as a new edition in 1997 to
incorporate newer scholarship particularly covering the material in the
original epilogue. That chapter reads a bit like an apology in that it
incorporates areas that were weak within the original manuscript. Indeed, while
Laurie was doing something “new” in 1989, by the time of the second printing,
scholars had poured over the works of the “new social history” and begun to
move beyond even its confines. While undertaking such revision is not easily
done, the improvement to the book was potentially large. In its current form,
the book provides interesting insights into a period when historians were
grappling with understanding how very different previous generations could be
useful in the present. My hope is that the insights Laurie writes about in Artisans Into Workers are not limited
though by lacking something as simple as footnotes.
Regardless of the problems in Laurie's work, it is a superb introduction to a complex realm of Labor History scholarship for the uninitiated (or those like myself with a new interest). It is well worth a read if you are interested in learning about the transition between colonial and early industrial periods of work in the United States. Though definitely the shakier portion of the book, it nonetheless provides a good primer on the second half of the nineteenth century and turn of the century in American labor.
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